Here’s a “Sarabande” by J.S. Bach, reimagined from the inside out for the fadolín at the Toronto Music Garden.
Lost in Kino 2, the sequel to my 2011 album “Lost in Kino“, features music…
Miroslav Skoryk: MelodiaМирослав Скорик: Mелодiя recorded in concert on February 25 2022 Ljova, fadolín #songsforpeace
At long last, I’m grateful to have made an arranging debut with my hometown band, the New York Philharmonic, featuring tenor Joshua Banbury! See the post for a couple of mementos.
the final installment of “Behind The Tracks” about the album “Enter The Fadolín”, focusing on the five remaining miniatures in the collection — enjoy!
I’m delighted to share that my album “Enter The Fadolín” has entered the world of charts in top company — thank you to everyone involved in bringing wider visibility to this work!
A “Behind the Tracks” post about “Playground Móòd”, improvised in April 2020 during the height of the pandemic’s first wave.
A “Behind The Tracks” post about Ljova’s composition “A Nocturne”
Continuing the thread of “Behind The Tracks” posts about my new album “Enter The Fadolín”, this post focuses on two tracks that go back-to-back, hand-in-hand:
“Going Home -> Leaving Home -> Finding Home Again” and “Light”
Listen to them both below as you read this post.
continuing the thread of “Behind The Tracks” posts about my new album “Enter The Fadolín” is a bilingual English/Russian guest post from my dad, Alexander Zhurbin, about his piece “Fine Fantasy”.