the final installment of “Behind The Tracks” about the album “Enter The Fadolín”, focusing on the five remaining miniatures in the collection — enjoy!
etfbehindthetracks
Enter The Fadolín – Behind The Tracks – Midnight Suite
A “Behind the Tracks” post about Ljova’s three-movement “Midnight Suite”, and the atmosphere behind the music.
Enter The Fadolín – Behind The Tracks – Playground Móòd
A “Behind the Tracks” post about “Playground Móòd”, improvised in April 2020 during the height of the pandemic’s first wave.
Enter The Fadolín – Behind the Tracks – A Nocturne
A “Behind The Tracks” post about Ljova’s composition “A Nocturne”
Enter The Fadolín – Behind the Tracks – O’Carolan’s Farewell to Music
A post about Martin Hayes and “O’Carolan’s Farewell to Music”, part of Ljova’s new album “Enter The Fadolín”.
Enter The Fadolín – Behind The Tracks – Going Home / Light
Continuing the thread of “Behind The Tracks” posts about my new album “Enter The Fadolín”, this post focuses on two tracks that go back-to-back, hand-in-hand:
“Going Home -> Leaving Home -> Finding Home Again” and “Light”
Listen to them both below as you read this post.
Enter The Fadolín – Behind the Tracks – Fine Fantasy
continuing the thread of “Behind The Tracks” posts about my new album “Enter The Fadolín” is a bilingual English/Russian guest post from my dad, Alexander Zhurbin, about his piece “Fine Fantasy”.
Enter The Fadolín – Behind The Tracks – Baltic Melismas
A video episode of “Behind the Tracks” about my new album “Enter The Fadolín”, this time focusing on the track “Baltic Melismas” — including the secret of composing music on a street consumed by techno music and bouncing children.. come for the secrets, stay for the photos…. enjoy! 🙂
Enter The Fadolín – Behind the Tracks – Bach Tracks
In this installment of “Behind the Tracks” about my new album, I speak about the two pieces on the record written by J.S. Bach, his very famous “Prelude in C Major” and the lesser known “Chromatic Fantasy”.
Enter The Fadolín – Behind the Tracks – Slava
A new series of posts about individual tracks from “Enter The Fadolín”, read the “Behind the Tracks” post about the final track on the album, “Slava”