1. The Never-ending Ambulances A cycle of four pieces for flute, fadolín, harp and two percussionists, it is inspired by my neighborhood, the Upper West Side of Manhattan, where I have lived since 1990. The first movement “The Never-ending Ambulances” is, an aural portrait of our essential workers as they drove through the streets at all hours at the peak of the pandemic. “Help, Somebody!” takes its musical germ from a person named William who would show up on our corner in the evenings to ask for change by singing a Gospel-style song. I would hear fragments of it from our window. “Gasn Nign” (“Street Tune” in Yiddish) is a tune I improvised while performing on our corner and expanded for this piece. The final movement, “Desperate Measures”, is a dance — Balkan? Latin? Klezmer? Celtic? — impossible to pin down culturally and rhythmically, just like all of us, searching for a way forward.
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CATEGORY | chamber music |
INSTRUMENTATION | Flute (+ piccolo), Fadolín, Harp, and two percussionists: marimba, dumbek, snare drum, rain stick, crotales, amplified pencil |
DURATION | 15 minutes |
WORLD PREMIERE | June 6 2022 The Falchi Building Long Island City, Queens, NY |
WORLD PREMIERE PERFORMERS | Margaret Lancaster, flute Susan Jolles, harp Ljova, fadolín Ingrid Gordon + Frank Cassara, percussionists |
OTHER NOTABLE PERFORMANCES |
June 8, 2022 at Travers Park, Queens |
RECORDING | not yet |
SCORE AVAILABILITY | All arrangements are available for sale via PDF or mail delivery; arrangements for combinations not listed above may be commissioned on request. [contact for more info] |