|commissioned by the Quintet of the Americas through the National Endowment for the Arts
“For The Sparrows” was commissioned by the National Endowment for the Arts, based on a residency designed by the composer Judith Sainte-Croix. Tragically, Judith passed away before the commission came through and I was asked to take over, which I was honored to do in her memory. In essence, Judith, together with Barbara Oldham (hornist of the Quintet of the Americas), who created the construct of the piece, putting all of the constituents together — I just had to write it the music, and quickly. I saw it as an opportunity to step into another composer’s world, while paying tribute to her and contributing something of my own. In the process of writing this piece I had the incredible privilege to interview seniors, workshop movements with enthusiastic children of local schools, and to lead an improvised happening with the Jackson Heights Orchestra on a sweltering July day. Judith Sainte-Croix loved spending time in nature, gathering her inspiration on long walks and meditations. Following her example, and as an avid cyclist, I biked to and from most of the residency activities from our apartment on the Upper West Side, some 10 miles away.
The work is in four movements, which were written in the order of appearance.
The second movement, for quintet and recorder students of PS69 was written with one challenge in mind: the students knew how to play only four notes –– could I write a tune using only four notes? During a workshop, Barbara Oldham suggested that we teach the kids the song of the White-Throated Sparrow, which uses two notes. The melody you’ll hear came from this inspiration.
The third movement, for the quintet and the Jackson Heights Orchestra, was inspired in part by the instrumentation of the JHO, which would add two woodwind quintets and strings to my palette (e.g. the soloists Quintet of the Americas, plus two more of each woodwind instrument in the JHO), as well as two trumpets and percussion. I wanted to create a composite melody that is tossed around between the three woodwind quintets. The shape of this melody is somewhat of a wilting flower – it’s infected, I’d like to think, with a sort of inward shyness. As the piece progresses, the melodies get more courageous — but you’ll have to judge if they succeed. This movement is inspired by Judith’s illness and the struggle of her final weeks.
The final movement, featuring the student choir of PS149 with the Quintet and the JHO and the recorder ensemble of PS69, brings back the four-note theme of the White Throated Sparrow melody, now in the guise of a song with lyrics written by me, and the last verse written by Judith Sainte-Croix. The optimistic text and message of the song is set against a wistful orchestration, punctuated by distant sleigh bells. It is my hope that, as these sparrows sing and fly, we think of family, of friendship, and of Judith Sainte-Croix, whose work brought so many people together, even in her absence. I hope that she is smiling down on us today.
With deepest gratitude to all involved,
|CATEGORY||orchestra & soloists|
|INSTRUMENTATION||woodwind quintet, children’s choir, recorder ensemble, chamber orchestra|
|WORLD PREMIERE||December 15 2018 at PS69Q, Jackson Heights, NY (see video above)|
|WORLD PREMIERE PERFORMERS||Quintet of the Americas, Jackson Heights Orchestra conducted by Patricia Glunt, student choir of PS149Q and recorder ensemble from PS69Q|
|SCORE AVAILABILITY||A Perusal PDF score is available on request (contact Ljova). Parts and arrangements are available for sale via PDF or mail delivery; arrangements for combinations not listed above may be commissioned on request. [contact for more info]|