LJOVA (Lev Zhurbin) was born in 1978 in Moscow, Russia, and moved to New York with his parents, composer Alexander Zhurbin and writer Irena Ginzburg, in 1990. He divides his time between composing for the concert stage, contemporary dance & film, leading his own ensemble LJOVA AND THE KONTRABAND, as well as a busy career as a freelance violist, violinist & musical arranger. Among recent projects is a commission from the City of London Sinfonia, The Louisville Orchestra, a string quartet for Brooklyn Rider new works for Yo-Yo Ma and the Silk Road Ensemble, The Knights, Sybarite5 and A Far Cry, as well arrangements for the Los Angeles Philharmonic, San Francisco Symphony, Detroit Symphony Orchestra, tenor Javier Camarena, conductors Gustavo Dudamel and Alondra de la Parra, the Mexican songwriter Natalia Lafourcade, Argentine composer/guitarist Gustavo Santaolalla. Ljova frequently collaborates with choreographers Aszure Barton, Damian Woetzel, Christopher Wheeldon, Katarzyna Skarpetowska (with Parsons Dance).
Ljova is the author of more than 120 compositions for classical, jazz, and folk ensembles, as well as scores to four feature and over a dozen short films. In 2005, Ljova was one of six composers invited to participate in the Sundance Institute’s Film Composers Lab. His music has been licensed by HBO, PBS, BBC, CNBC, and NHK networks, among many other independent projects. In 2007, Ljova worked as assistant to composer Osvaldo Golijov on his score to Francis Ford Coppola’s film “Youth Without Youth”, to which Ljova also contributed an original track, “Middle Village”.
Ljova has taught as guest faculty at The Banff Centre in Canada focusing equally on composition, arranging, and viola performance. He has also guest-lectured on film music at New York University, taught at Mark O’Connor’s String Camp, as well as at the Blaine Jazz Festival in Washington state. Ljova is on the viola & chamber music faculty of the Special Music School in New York City. He has appeared as violist on Saturday Night Live (with Sia), The Late Show with David Letterman and The Tonight Show with Jimmy Fallon.
His fourth album, MELTING RIVER, focuses on music Ljova created for “Project XII”, on commission from Canadian choreographer (and Baryshnikov’s protege), Aszure Barton. LOST IN KINO, his third album, focuses on recent film music, and features cues from films by Francis Ford Coppola, James Marsh, Basia Winograd, Lev Polyakov, Roman Khrushch, as well as performances by the Gypsy band Romashka, the Tall Tall Trees and the pipa virtuoso Wu Man.
With his main performing ensemble, LJOVA AND THE KONTRABAND, Ljova has appeared at New York’s Lincoln Center, The Kennedy Center in Washington DC, the Brooklyn Academy of Music (as part of the Sundance Film Festival), New York’s Museum of Modern Art, Joe’s Pub and other venues. The Ensemble has toured to the United Kingdom, Canada, and around the United States. The Kontraband released its second album, “NO REFUND ON FLOWERS“, raising over $21,000 in a crowdfunding campaign on Kickstarter. Their acclaimed debut CD, “MNEMOSYNE” and is the featured ensemble on “Cupcake”, a short film which debuted at Tribeca Film Festival and was performed live at Lincoln Center.
Ljova released his acclaimed solo debut recording, VJOLA: WORLD ON FOUR STRINGS, on Kapustnik Records, in 2006. Previously, he has recorded with Yo-Yo Ma and the Silk Road Ensemble on the bestselling Sony Classical CD “Silk Road Journeys: Beyond the Horizon”, and with The Andalucian Dogs on the Deutsche Grammophon CD “Ayre”, featuring the music of Luciano Berio and Osvaldo Golijov. (Both CDs were nominated for several Grammy awards.) He has performed on tour with Savion Glover, and recorded with composer Ryuichi Sakamoto, producer Guy Sigsworth, Nina Nastasia, Amy Correia, and the Electric Light Orchestra.
As an arranger, Ljova has completed dozens of musical arrangements for Yo-Yo Ma and the Silk Road Ensemble, the Kronos Quartet, Bond, Matmos, and others. He has also collaborated with composers Osvaldo Golijov and Gustavo Santaolalla, as well as the conductor Alondra de la Parra. Resulting from these collaborations are arrangements of musics from Argentina, Azerbaijan, China, India, Iran, Japan, Mexico, Russia, Tanzania, Uruguay, as well as gypsy music from Romania and France.
Ljova grew up in a household filled with music, books and an unquenchable hunger for culture. His father, Alexander Zhurbin, is Russia’s foremost composer for film and musical theatre; his mother, Irena Ginzburg, is a distinguished poet, writer and journalist. He began violin lessons at age four with Galina Turchaninova, a celebrated pedagogue who also taught violinists Maxim Vengerov and Vadim Repin. When not practicing, the pre-teen Ljova regularly overran his record player and played street hockey.
Ljova is a graduate of The Juilliard School, where he was a pupil of Samuel Rhodes (violist of the Juilliard String Quartet). He has won numerous prizes as a composer, and appeared several times as soloist with orchestras, including as a winner of the Menschenkinderpreis from RTL TV (Germany). He performs on a viola made by Alexander Tulchinsky, and a six-string “fadolín” made by Eric Aceto.
Ljova lives on the Upper West Side of New York City with his wife, vocalist and attorney Inna Barmash, and their sons, Benjamin and Yosif.
For the latest news, downloadable mp3s and CD releases, please visit Ljova’s website at Ljova.com
Ljova loves student films!
“dunno if that’s a first name or a surname but it’s all we’ve got to go on” (from a CD review in Paris Transatlantic)
Quite simply, Ljova (pronounced L’yova) is the Russian “informal” version of the name Lev, similar to what Danny is to Daniel.In its own turn, Lev has many meanings: in Russian it means “Lion”; in Hebrew it means “heart”; in Bulgaria it is the national currency (i.e. The Lev); and in Slovenia it’s a Hotel. It is also the name of my grandfather, Lev Ginzburg. Furthermore, my other grandfather, grandmother, father — and yours truly — were all born in the “Lion” part of August.
However Ljova has no apparent wide-ranging meaning as far as I know.